A young couple spend the night in a restaurant, only to find out that it is haunted by three dead women who hunger for human flesh.
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The blood orchid – A rare flower that holds the secret of eternal life and a fortune to the pharmaceutical company that finds it. Led by a two-fisted soldier of fortune, a scientific expedition is sent deep into the jungles of Borneo to locate and bring back samples of the legendary plant. Battling their way upriver, the explorers brave poisonous insects, ferocious crocodiles and savage headhunters, unaware they’re being stalked by an even greater danger: a nest of giant anacondas, voracious, fifty-foot-long flesh-eaters who’ll stop at nothing to protect their breeding ground, the blood orchid’s home.
Peter Ustinov stars as the eponymous wraith, who returns to Earth to aid his descendant, elderly Elsa Lanchester (Stowecroft). The villains want to kick Lanchester and her friends out of their group home so that they can build a crooked casino. Good guy Steve Walker (Jones) gets caught in the middle of the squabble after evoking Blackbeard’s ghost.
Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone.
What secret lay behind the dreaded Marsh Phantoms, the ghostly riders whose silent approach in the darkness of the bleak, unwelcoming Romney Marshes causes men to die of fright? Are they a genuine manifestation or a cover for illegal smuggling activities. Perhaps Dr Blyss, the benign vicar of the quiet village of Dymchurch, knows the truth about the ruthless pirate and smuggler who lies buried in the village graveyard and can unravel the phenomenon of the curse of Captain Clegg.
Rita Rizzoli is a narcotics cop with a plethora of disguises. When a drug shipment is hijacked, the thieves don’t know that the drug is unusually pure and packs of ‘Fatal Beauty’ begin turning up next to too many dead bodies. Mike works for the original owner of the drugs and tries to tell himself that since he does not handle the drugs, he is ‘clean’. Mike becomes Rita’s constant companion.
Carmilla comes to a rural town where her mother mysteriously disappeared years earlier. She is aided in her quest by an emotionally troubled local girl, with whom she becomes romantically involved. Their relationship ignites the wrath of the girl’s father, who holds the key to the dreadful truth Carmilla is seeking. Inspired by Joseph Sheridan Le Fanu’s famed Gothic novella.
While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it’s time for him to return to Buffalo and settle some old scores.
After losing his father, 10-year-old Carlos arrives at the Santa Lucia School, which shelters orphans of the Republican militia and politicians, and is taken in by the steely headmistress, Carmen, and the kindly professor, Casares. Soon after his arrival, Carlos has a run-in with the violent caretaker, Jacinto. Gradually, Carlos uncovers the secrets of the school, including the youthful ghost that wanders the grounds.
Tell Gordon Hello was spawned off of Morgan Rodner’s love of two things: film and comics. During a writer’s block that all artists come across at some point in their lifetime, Rodner met Paul Louis Harrell while directing another short film. Rodner soon discovered that Harrell had a pastime of playing the Joker on Hollywood Blvd for tips which was the catalyst that put the wheels into motion for Tell Gordon Hello. – Written by Morgan Rodner